CLICK ARTS FOUNDATION

Projects we're supporting

The core of what we do is the provision of grants to support grass roots charities across England and Wales, with a specific emphasis on Northampton, Milton Keynes, and the surrounding Midlands region.

We would love to showcase every amazing project we support here as they all make such a difference to their local communities, but we're getting amazing updates so often, that we'd invite you to take a look at our Facebook page or our LinkedIn profile where we will post press releases and photos we have been sent, as well as give our funded projects a shout out.

And listed on this page is an overview of the type of application we will support, as well as a small showcase of the incredible work we've been proud to help.
PERFORMING ARTS

We have given grants to projects which encourage people of all ages to get involved in dance, drama and music, including "Drumming and Mental Health" and funding for a dance group to purchase their own tech equipment, so that they can "just do the show here!" (Click on the titles below to find out more)
  • Groovie Comedy
    We supported Groovie Comedy with their venue fund to ensure a safe space for upcoming comedians to perform, in a currently unforgiving industry. We also offer them a spot on our Arts and Culture show Skits and Quibbles which airs on e360TV.
  • LOL Theatre
  • We funded a run of The Rita Ranger show by LOL Theatre.
  • A Home 4 Harmony
  • We also funded a run of A Home 4 Harmony by The People's Collective.
  • G-Stars Dance
  • A grant to inner-city London G-Star's Dance meant they could purchase lights and tech for their shows - which they can now run to sustain their school whenever and wherever they like!


CREATIVE HEALTH

We have supported arts projects aimed at giving young people a safe and creative space to develop their skills and learn pottery, art for posters, and even filmmaking (click on the titles below to find out more)
  • Silent Disco
  • We loved being able to help The Good Times Project bring their silent disco to events with the purchase of a marquee. The silent disco means that music, and connectivity is accessible, inclusive - and fully controllable by the individual and brings joy to all ages.
  • Rare Notions: Poetry and Arts for Mental Health
  • Rare Notions provides poetry and creative arts workshops for those with low level mental health issues, in the deprived areas of Northamptonshire (Photo credit: Phiona Richards)


PRESERVATION OF HERITAGE

Retaining a connection with heritage is also important, and when it is done through the arts, that's even better. For example, we've supported the creation of a language school so that young migrants do not lose their mother tongue, through continued practice in speech and drama. (Click on the titles below to find out more)
  • Transatlantic Slave Trade
  • We were able to support SpectaculArts in their work to promote the work of Black artists and celebrate and commemorate Black heritage "beyond token gestures and includes diverse narratives, achievements and contributions.
  • African Drumming Workshops
  • “The grant from CLICK received last year enabled us to learn new African drum rhythms and acquire new members. Through the finding we held our first ever drumming circle, attracting more than 60 drummers. We are very grateful to CLICK for enabling us to have these opportunities.” The United African Association The UAA also perform percussion on our charity singles.
  • Albanian Community Language School
  • We funded the set up of a language school to preserve the Albanian Language, and were treated to a showcase, along with the Mayor of Northampton where we watched the children present – in both Albanian and English.







HEADLINE SPONSORSHIP

The Creative Hub:
We have joined forces with Northampton Film Festival, and the West Northampton Council to support a Creative Hub in Northampton Market Square which is a place for artists to display their work, for the creative industry to meet and network, as well as a space to host talks, workshops and meets for upcoming and experienced arts professionals.

TTC Performing Arts College:
We are proud to support TTC, a performing arts school whose small classes and supportive resilience building approach to arts training was in danger of closing despite being on the cusp of attaining degree accreditation for their courses from years of hard work. We are thrilled they could keep their doors open and look forward to the continued successes of their students.

The Lewis Foundation Water Dash:
We collaborate with local charities on events, and The Lewis Foundation has run their pop up coffee shop at our events, and in turn we wanted to support their 2024 Water Dash…plus we had some cool costumes to air!


CASE STUDY

LOL Theatre: The Rita Ranger Show

LOL Theatre received a grant to produce their “Rita Ranger show” as a free event across Northamptonshire. Not only was there a focus on accessible theatre, but in accessible performance – children were allowed to be inquisitive, to chat with the actors, to get involved. Part of the importance of funding was founder Emma Kendrick’s own advocacy in paying professionals in a world where creatives are often exploited; and her work in ensuring theatre is a safe and comfortable experience for neurodivergent individuals.

From LOL Theatre:
Vicki Laughton from Rockingham Forest Trust said “…The shows were a fantastic addition to the event, relevant to families, educational and fun.” She wanted to pass on her gratitude that we were able to offer the shows for free which allowed them to fundraise for an inclusive, accessible play area that they want to build on site.

Feedback from parents and guardians, included how lovely it was to have something so relevant to both children and adults, how the show had engaged the children throughout (we had a few come and watch it twice!) and how the facts will really stick in their minds as they were presented in a fun and entertaining way.

Many of the young people who came to see the shows…were from disadvantaged backgrounds and some of them had never seen a theatre show before. The impact that seeing this show will have had on these children in particular is immeasurable. We also had a group of vulnerable adults with learning disabilities come to one of the performances and they joined in with all of the activities and thoroughly enjoyed the performance, giving us ‘two thumbs up’.

Overall the show was seen by a total of 634 people during ten performances in three locations across Northamptonshire. This is a fantastic result, and has helped us to reach a wider community across our county, reaching young people and vulnerable adults, educating people about what’s on their doorstep, and most of all, bringing joy, laughter, and cohesion across ages, backgrounds and cultures through the magic of theatre. Thank you for helping us to continue in our mission to make theatre accessible and affordable to everyone.


CASE STUDY

The People’s Theatre Collective: A Home for Harmony

A Home 4 Harmony in itself used the arts as a means to prompt discussion about disability and inclusion as it told the story of an assistance dog who then had to share her home with a stray cat. This production toured libraries in Northamptonshire as well as schools, and was part of an educational package with support for teachers, parents and carers to encourage young people to talk about their feelings – in the way the characters did.

From The People’s Theatre Collective:
The project reached 412 people across 10 interactive performance workshops in Northamptonshire.
  • The inclusion of SEND-friendly practices, such as the use of Makaton and sensory theatre, created a deeply engaging and accessible environment for all attendees.
  • Audiences, especially families, expressed their appreciation for the accessibility and convenience of attending performances in local libraries.
As part of our commitment to sustainability, we made conscious efforts to minimize the environmental impact of the project. By touring local libraries and community venues across Northamptonshire, we reduced the need for long- distance travel and encouraged local participation.

The emotional resonance of the show was reflected in audience surveys. A significant portion of feedback emphasized how well the performance communicated emotional themes. When surveyed, 17% of people highlighted the emotional depth of the story as the most impactful aspect of the show: “Should be done far and wide, stimulating young minds in a positive way”.

Carers described their children’s experiences in strong terms, using words like “engrossed,” “captivated,” “transfixed,” and “engaged”. 27% of surveyed people rated the interac]ve elements of the show, such as sensory props, music, and movement, most highly. These elements allowed young audiences to engage with emotions in a hands-on way, learning Makaton sign to label emotions, and advising the characters as to how to self regulate and resolve their conflict: “it was funny when the dog chased the cat, but better when they had the cuddle” – young audience member.

“It made me happy! I’m going to ask my mummy to take me to the theatre again,” is a testament to how accessible and enjoyable the show was for young audiences.

With unexpected outcomes such as the libraries reporting a surge in attendance, and people voicing how unaffordable the theatre experience is becoming, there is a continued need for such events.